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to Philip Dorian’s SCENEONSTAGE.COM, featuring Theater Comments and Criticism as well as Random Thoughts on Other Matters.
The most recent postings will appear on the home page. Most, when no longer current, will move into the category-links above and at right: Broadway (and other NYC), Regional (includes Community), etc.
About is just that, Phil’s bio; Pair●A●Grafs will feature brief (two-paragraph, get it?) reviews; Canadian Theatre will feature coverage of Ontario’s Shaw Festival and Stratford Shakespeare Festival as well as Toronto offerings; and Contact is where you can send Phil an e-mail message.
Archived Reviews (prior to Feb 2011): Most of the last 20+ years’ reviews are available on request by show title. Leave an email address there for prompt delivery.
For an e-catalog of posts since Feb 2011, click the arc at Follow Me, where you can also subscribe for automatic updates. Blog will, as blogs do, get you to those Random Thoughts.
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Category Archives: Off Broadway
Understudy: Not a Job for the Weak of Heart
Theater lore abounds with tales of understudies who have gone on to a degree of stardom, some as a direct result of having filled in for an indisposed performer. Shirley Maclaine, who subbed for Carol Haney in “The Pajama Game” … Continue reading
“Kimberly Akimbo” + Music: Perfect Together
How do you improve on perfection? Well, you can’t – by definition. But you can approach it from a different direction, which is what David Lindsay-Abaire has done in adapting his marvelous 2002 play “Kimberly Akimbo” into a 2021 musical. … Continue reading
You’ll Seem to Find the Happiness You Seek/ When You’re Out Together Seeing “Cheek to Cheek”
Eleven outstanding performers (six singer-dancers and five musicians) are at the top of their game, but the biggest stars of “Cheek to Cheek: Irving Berlin in Hollywood” are the title composer, of course, and the director/choreographer, Randy Skinner. The York … Continue reading
“Morning’s at Seven” revived: The Play and Its Players Have Aged Well
At the intermission of “Morning’s at Seven,” directed by Dan Wackerman in revival at the Theatre of St. Clement’s, I mentioned to my companion that Paul Osborn’s 1940 comedy, which I had recently read, did not seem as good on … Continue reading
Brave Title, Generic Show: “The Book of Moron”
When’s the last time you heard a Dumb Blond joke? Me neither, until Robert Dubac pulled one early in “The Book of Moron,” his solo comedic commentary in a limited engagement through October 3 at SoHo Playhouse, hard by the … Continue reading
Long Live the King! (Lear, that is…and Cordelia too)
In calendar year 2014 I saw four different productions of Shakespeare’s “King Lear.” In all of them, and six or eight others over the years, Lear and his daughter Cordelia [spoiler alert] died at the end. As devastating as are … Continue reading