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to Philip Dorian’s SCENEONSTAGE.COM, featuring Theater Comments and Criticism as well as Random Thoughts on Other Matters.
The most recent postings will appear on the home page. Most, when no longer current, will move into the category-links above and at right: Broadway (and other NYC), Regional (includes Community), etc.
About is just that, Phil’s bio; Pair●A●Grafs will feature brief (two-paragraph, get it?) reviews; Canadian Theatre will feature coverage of Ontario’s Shaw Festival and Stratford Shakespeare Festival as well as Toronto offerings; and Contact is where you can send Phil an e-mail message.
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Category Archives: Off Broadway
Dream Along With En Garde Arts
Considering, as Rehena Mirza’s disembodied voice intones in her segment of “A Dozen Dreams,” that nothing is more boring than hearing about someone else’s dream, you would think a gaggle of dreams, assembled into an “immersive theatrical installation” would be … Continue reading
John Cullum at Ninety-one…and Counting.
What might you be doing one month past your ninety-first birthday? For John Cullum, who achieved that milestone in March, the answer was a sort of fallback plan: Two years earlier, the venerable two-time Tony Award Leading Actor in a … Continue reading
The Seeing Place Theater Works Up a Virtual “Sweat”
A play-writing recipe: Stir together equal parts racial tension, economic uncertainty, labor-management unrest, and class distinction. Fold in a smattering of unprovoked violence. Bake under hot lights for two hours and you will have cooked up “Sweat,” a dish so … Continue reading
If it’s worth saying, it’s worth singing: “The Right Girl”
In recent months, with Covid-19 restrictions eased in some relatively low-affected areas, I have tracked down three theatrical attractions (all with pandemic protocols). In August it was “Godspell,” the nation’s first outdoor (tent enclosed) Equity-authorized production since the pandemic closings, … Continue reading
Buoyant Performance Re-floats “The Unsinkable Molly Brown”
Composer-lyricist Meredith Willson’s 1960 musical “The Unsinkable Molly Brown” was inspired by an exaggerated tale about the exploits of real-life Titanic survivor Margaret Tobin Brown. While not as successful as Willson’s “The Music Man,” which it followed by three years … Continue reading
Sexual Liberation Is So Last Century: “Bob and Carol and Ted and Alice” off-Broadway
The first quarter hour of “Bob and Carol and Ted and Alice” depicts Bob and Carol at The Institute at Big Sur, a ‘new age-y’ retreat, where the thirty-something couple is converted into a life-style based on a philosophy of … Continue reading