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to Philip Dorian’s SCENEONSTAGE.COM, featuring Theater Comments and Criticism as well as Random Thoughts on Other Matters.
The most recent postings will appear on the home page. Most, when no longer current, will move into the category-links above and at right: Broadway (and other NYC), Regional (includes Community), etc.
About is just that, Phil’s bio; Pair●A●Grafs will feature brief (two-paragraph, get it?) reviews; Canadian Theatre will feature coverage of Ontario’s Shaw Festival and Stratford Shakespeare Festival as well as Toronto offerings; and Contact is where you can send Phil an e-mail message.
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Category Archives: Professional
“Phantom” in Westchester (not that one, the other one)
While some introductory background is a de facto requirement in a review of the “Phantom” musical that does not append “of the Opera” to its title, be advised upfront that the production at Westchester Broadway (Dinner) Theatre in Elmsford, NY … Continue reading
A Two River Theater premiere: “Pamela’s First Musical”
With eight musicians and a cast of fifteen, “Pamela’s First Musical” is the most elaborate musical produced by Two River Theater Company over its illustrious twenty-five years. The Stephen Sondheim-composed “A Funny Thing Happened on the Way to the Forum” … Continue reading
“Blithe Spirit” at Shakespeare of NJ will lift yours…
Considering the running time of some I’ve seen, The Shakespeare Theatre of New Jersey’s “Blithe Spirit” comes in at a relatively compact two and three-quarters hours, including intermission. Even at that Noel Coward’s play still seems drawn out, but the … Continue reading
High body-count in “Titus Andronicus” at Shakespeare of New Jersey
More people are killed in Shakespeare’s “Titus Andronicus” than in his Scottish play and Danish plays combined. “Titus” also preceded “Sweeney Todd” in the bad-guy-pie department by four centuries. Shakespeare’s first-written tragedy is a gory affair that leaves little to … Continue reading
Oldies but goodies: “On a Clear Day You Can See Forever” at Irish Rep and “Anything Goes” in Westchester
The phrase ‘less is more’ is never more apt than when applied to Irish Repertory Theatre’s musical productions. Artistic director Charlotte Moore’s thirty-year old company, devoted to exploring Irish-American experience through works of theater, music and dance, has a knowing … Continue reading
Two plays, two women, one each. “In the Body of the World” and “Wild Horses”
It takes more than memorization to put across a solo play (although that element should not be minimized). Those sometimes deceptively crowded affairs require the establishing of unique personal connections to the audience and, in most, the enacting of multiple … Continue reading