“The Taming of the Shrew” in Holmdel

I have long admired Holmdel Theatre Company for their commitment to out-of-the-mainstream plays (Two Gentlemen of Verona in 1993 and Arcadia in ’97 for two) and for their willingness to innovate (the more recent Noises Off and Our Town, for example). Their inclusion of high school students, effective in last year’s Godspell, is admirable as well.

Their current show, The Taming of the Shrew, is another worthy selection, but the production falls short. There are some bright spots, but under the direction of Tom Frascatore, it doesn’t jell. Missteps skew the text, the comedy, the relationships, the tone of the whole play.

Sweet Bianca is up to her bodice in suitors, but older sister Katherine’s shrewish ways point to spinsterhood – for both of them. Who should appear but the dashing Petruchio, who comes to “wive it wealthily in Padua.” With the promise of a substantial dowry, Petruchio sets about wooing Kate, marrying her, and by variously isolating, starving and taunting her, changes her from ‘Kate the curst’ to ‘super-dainty Kate’.

David Murray and Lauren Valasa as Petruchio and Katherine

That Shrew is a controversial play about the sexual politics of courtship and marriage is, by now, old news. So is the idea that a younger sister cannot marry until the older one does. (Both were de rigueur when the play was written.) It’s hardly the stuff of women’s – or anyone’s – lib, but there are ways around the play’s perceived anti-feminism – ways to equalize the couple and enhance the romance. None is apparent at Holmdel, although the sting is lessened by a relationship that downplays his dominance and her discomfort. He’s hardly a commanding presence; she’d tame him long before he would her.  It’s an interesting take, even if unintended: her playing the game to lose.

Re-setting Shrew is common enough, despite the many Italian references. Here it’s Edwardian England (early 1900s), which is as good as any, except that it makes for uninspired costuming. (Petruchio’s eccentric wedding attire is not as described in the text, but it is colorful, a la Kismet.)

Considering the number of female participants in community theater, some gender-switching is understandable, but turning Petruchio’s body man Grumio into Grumia alters their relationship for sure, and turns the Kate-Grumio scene from teasing to sadistic. Casting females as Grumio and Biondello doesn’t kill the play, but portraying both as cartoon characters who speak in voices, mug shamelessly and upstage everyone else nearly does. (Their unfunny, outrageous behavior is not solely the actors’ fault; it had to be done with permission.)

The cast of "Shrew"

No one said iambic pentameter was easy, but there are fundamentals that give directors and actors a leg up. Come to a full understanding of the lines – translate them, so to speak – and then deliver them naturally. Simply memorizing doesn’t cut it. Only a few of the actors accomplish that here. (Kate’s father Baptista is one; the young woman cross-gender cast as the tailor and milliner is another.)

Allowing Kate to race through her final speech as if she’s glad the play is over might be the unkindest gaffe of all. It blots the beauty and confounds the fame of one of the most renowned passages in all of English-language theatre, written, as is the entire play, by William Shakespeare.

Final performances Thurs April 5 at 7pm; Fri and Sat Apr 6 & 7 at 8pm. For tickets ($22; $17 seniors/students): 212-868-4444 or at www.holmdeltheatrecompany.org


Community, Regional
  • John

    Oops! Lower class characters (tailor and milliner) do not speak in iambic pentameter. The lines of these characters are written in prose.

    • Philip

      Ha! Good point…thanks. As it happens, the milliner’s (haberdasher’s) one line “Here is the cap your worship did bespeak” is in five (iambic pentameter). The tailor is written in prose, but in my defense, and in praise of the actress who spoke the lines, such as “This is true that I say: an I had thee in place where, thou shoudst know it” does not roll easily off the 21st Century tongue. The (uncredited) actress did a nice job.

  • Justin

    Excuse me Mr. Dorian,
    Having worked with this cast for about a month and a half and working with such a talented group of actors, as well as working in Shakesperean plays in the past, I can tell you sir, that your article is hurtful and by every meaning of the term disgusting. How dare you! I understand this is your opinion of the show and being an avid shakespearean conosuer yourself I take it, does not mean you can just downplay all of our hard work and give this amazing show such a bad critique. This cast has worked too long and has been directed, who in my opinion is one of the best directors around, for such down puting words by you.

  • Rudy

    I can see why Mr. Dorian may have arrived at some of these opinions, but I found this a sumptuous feast of a theatrical experience and returned for a second course – to say I disagree would be putting it mildly. I found the final speech, as delivered by Lauren Valasa, crisply enunciated, effusive and effective, despite its outdated sentiments. The theatrics or excessive gestures from Grumia and Biondella greatly entertained and did not do a disservice to the material or other actors on stage, in my opinion – if anything, it made those surrounding them seem all the more consequential. I greatly admire what Mr. Frascatore did with this production and hope to witness as much of his forthcoming work as possible.

  • Carl

    I saw this play Friday night (4/6/12). This may not have been the same night this reviewer saw the play, but what I saw was superb acting and a fantastic set — which in my opinion far exceeds community theater I have seen. To be fair, when I go to see community theater I don’t expect them to be on a professional level. However, what I saw at the Holmdel Theater Company on Friday night seemed very close to professional to me.

    As for the casting females in the roles of Grumio and Biondello — it did not bother me at all, in fact I loved it. I also thought the performances of the two actresses was fabulous!

    Of course, this is just the opinion of someone who enjoys going to the theater and not a professional theater critic.